Showing posts with label Chafford. Show all posts
Showing posts with label Chafford. Show all posts

Thursday, 8 September 2016

Wedding Wish


I've had a rough week with flaring Polymyalgia and ME so Wednesday's blogpost didn't get written. But I did do a congratulations card for a couple nice folk I know online.


Alex and Kayla Benda run an online sticker emporium, Oh Hello Stationery Co, designing all their own stickers mainly for use on planners. They got married at the weekend and I created this set of designs to tie in with the wedding colours. I'd wanted to send them a little hand-done card so I got drawing. 


First I began to doodle in pencil weaving the floral shapes from their sticker designs around a font that evolved on the page. A vine made a good ampersand and two rings intertwine like a little butterfly. 


As usual I inked it up with uniPIN fine liner. I hadn't been able to find my glasses that day so some of the inking wasn't as perfect as I'd intended. It happens. As the card was entirely done by hand and not being photoshopped I used a white gel marker to touch up the errors and began to ink.

Used a mix of markers: Copic, ProMarker, Letraset flex, Chafford, W&N Pigment Markers and Letraset Aqua Markers. Whichever pens matched best the colours used in Alex & Kayla's stickers were used. The mixed medias worked quite well together on Bristol Board although the coverage of the large blue flower at the top left corner (Chafford marker - cheapy cheapy) could have been better.

I chose brown to ink the font and went over the edges again with black fineliner to prevent them getting lost in the foliage.


Congrats Alex & Kayla
WIshing you Health, Wealth and Happiness
xx



Copyright © 2016 by Roisin O'Hagan/bloowabbit
All rights reserved. The artworks/illustrations or any portion thereof may not be reproduced or used in any manner whatsoever without the express written permission of the artist except for specific permission granted with a free downloadable.






Friday, 12 August 2016

Night Sky Maidens




Was in my local Works outlet looking at their arts/craft section. This is where I'd bought the cheap acrylic paints which weren't that great pigment-wise. But if you're wanting to try out a type of paint it's a good place to start before investing much more money in quality materials.

I saw this little packet of wooden stars and thought they'd be useful for some sort of craft idea coming up to Christmas. 


What I did with them was draw first with pencil and then tint with Letraset flex markers. Wood is easy enough to draw on with pencil but, as I expected, the markers colours bled quite quickly along the grain. With each new star I used the markers less heavily and that seemed to help prevent excessive bleeding.


The night sky background was done with an Ultramarine Faber-Castell Indian ink pen which bled far less and worked well on the wood. The edges and back of each wooden star was coloured dark blue with a Chafford alcohol marker.

These little stars are made of untreated wood and I feel that a wooden block designed and made specifically for painting would work a lot better. I'm not sure what I'll use these for. perhaps they're go into a curio box.


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Copyright © 2016 by Roisin O'Hagan/bloowabbit
All rights reserved. The artworks/illustrations or any portion thereof may not be reproduced or used in any manner whatsoever without the express written permission of the artist except for specific permission granted with a free downloadable.

Wednesday, 20 July 2016

Scribble into artwork




There's a drawing challenge I remember doing when I was little. Scribble onto a piece of paper and try to make it into a recognisable image. It's also a current popular challenge with artists on YouTube.


After rotating the page I decide upon the above version of the scribble. It suggested two heads close together each with a bobbed hairstyle. 


The shapes of hair and arms became stylized and the figures very closely entwined. I decided flat colour was a suitable choice and coloured with a mix of ProMarkers, Copics and Chaffords.

Quality of drawing is loose and without preparation. Lines were drawn freehand so it has more of the style of my doodles than of finished pieces. 

I liked using a scribble to begin working from as it felt a very free and uncluttered method - sometimes I can get bogged down with focusing on what approach or idea is best. This loose and quirky result may well become the basis for a future artwork. 


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Copyright © 2016 by Roisin O'Hagan/bloowabbit
All rights reserved. The artworks/illustrations or any portion thereof may not be reproduced or used in any manner whatsoever without the express written permission of the artist except for specific permission granted with a free downloadable.



Monday, 11 July 2016

Mother of Bats



I posted another in the series 'Mother of ...' on my facebook page Bloowabbit, entitled 'Mother of Bats'. I had an idea of something more gothic in mind and the result was this piece coloured in markers with added coloured pencil.


First colours laid down in the line drawing were Copic Ciao Milky White and Chafford PB71. Boston Board was used.





 Bat images found online were used as a resource, including a flying fox.


The piece was coloured and shadows added.


Coloured pencils, Mars Chromo, give more depth to the marker layers. Spirals of purple, blue and green marker were used to break up the flatness of the background.


A final outline of black pen followed by a line of white gel pen helps the image to pop. More white gel pen was used to add spirals of white to give a feeling of mist.

I'm unhappy with the left eye, didn't notice it was too far to the right until I was about to apply the coloured pencil layer. I like the stance of the figure, her tattoo and her sombre expression. 




Copyright © 2016 by Roisin O'Hagan/bloowabbit
All rights reserved. The artworks/illustrations or any portion thereof may not be reproduced or used in any manner whatsoever without the express written permission of the artist except for specific permission granted with a free downloadable.

Wednesday, 6 July 2016

Drawing using mirror reflection


I had been reading about people who can write/draw with both hands while each hand writing/drawing results in a mirror image of the other. And I reckon most people know about Leonardo da Vinci writing freehand in a mirrorscript. I began wondering what kind of an image I'd get if I drew using a mirror and only looking at the mirror whilst drawing. 


It was easier to draw from the reflection without visual distraction if I held a piece of card over my right hand. Any mark I made on the paper was the opposite of how it looked in the mirror. Although I was looking at the reflected drawing the correct way up, in reality I was drawing it upside down. 


Drawing a curved or straight line from upper left to lower right was the most difficult. It was easier to shade an area and then erase until a fine line remained. 



The shape of the face appeared very distorted after inking, the mouth oversized and off centre. Trying to turn a very rough chin line into shading resulted in it looking almost like beard or sideburns. There was no movement to the hairlines, drawing them curved took a lot of concentration.


The image on the left is the actual drawing, created upside down, while the image on the right is what I saw in the mirror the correct way up. I used a mix of copic, flex, promarker and chafford markers, finding the flexible brush ends the easiest to manoeuver. 

The challenge was more difficult, took much more concentration and the result was more inaccurate than I'd thought it would be. As I looked into the reflected image in the mirror I found I was attempting to draw a line but that my usual thought process combined with mirror resulted in a line going an entirely different way. 

Want to try this again sometime to see if practice would improve my translation of thought to movement.




Copyright © 2016 by Roisin O'Hagan/bloowabbit
All rights reserved. The artworks/illustrations or any portion thereof may not be reproduced or used in any manner whatsoever without the express written permission of the artist except for specific permission granted with a free downloadable.

Wednesday, 15 June 2016

challenge: Updating old work

'Scent' April 2015

Had set myself the challenge of selecting a previous drawing and updating it. Since early 2015 I had begun to 'doodle' and over the coming year amassed seven sketchbooks filled with images. These doodles had not been pre-sketched with pencil but were drawn freehand. There is a roughness about them but that's a quality all of their own.



I chose 'Scent' to rework and completed a pencil drawing based on the original doodle. The character became rounder, more 3D. I elaborated on the shapes and forms although I tried to keep the essence of what was in the original.


With a fineliner I outlined the image and erased any pencil marks. 


I used a mixture of Copic, ProMarker, flex and Chafford markers for the initial colouring. pale shades were laid down on which to build further colours.


Further tints were added to indicate shaded areas. the sky became a dome of blues and purples. Texture was given to the brown and green ground with dotting and spiralling. A white gel pen highlighted areas and provided added leaf strands (something inspired by TheMonsterPaws). Further shading was done in both grey and purple Copics. 

In the doodle the figure stood behind the brown 'earth' but in the reworked piece she seems to rise from the middle of the flowers. 



Coloured pencil added definition to the image on the figure, the sky, hills, flowers and green background. More work is done to the eyes, nose and lips. A final edging in both black fineliner and white gel pen finishes the piece below.

'Scent 2'  June 2016



Copyright © 2016 by Roisin O'Hagan/bloowabbit
All rights reserved. The artworks/illustrations or any portion thereof may not be reproduced or used in any manner whatsoever without the express written permission of the artist except for specific permission granted with a free downloadable.

Wednesday, 8 June 2016

Drawing upside-down...



I had seen a challenge on YT where an artist tried drawing upside-down. It occurred to me that this might not just be a quirky theme for a video but completing the challenge might also shed some light on how I perceive shapes in relation to one another. 


Initially my pencil sketch looked okay, the figure didn't seem rigid and the bat/demon creature (evolved from drawing a fat bat) seemed as though it might add something to the overall composition. I inked the outlines with a unipin fineliner and erased the pencil.




Next I began to add colour. Normally I turn the inked image around, sometimes completely, in order to make colouring intricate areas easier. But in this case I couldn't do that or I'd see the image the right way up. Even when getting up to make a cuppa I covered the image in case I'd see it on the way back. I was sticking to the rule of only being able to judge the image from an upside-down perspective.

I found drawing the hands difficult and had no clear idea if the facial features were in the right proportion. Finding that my Indigo Blue ProMarker was running out I tinted the background with a brownish Dusky Rose flex marker, but I wasn't entirely happy with this colour choice. Using three different green markers I focussed on the ivy leaves, giving them definition and shading.


I found a Chafford marker in PB71 blue and created a band of night sky. At this point it was nearly killing me not to see the image rightside-up in order to make more accurate changes. I added a string of bats flying across the moon having first practised their shapes on rough paper - yes, technically cheating but as I got it right first time I forgave myself.

I outlined the vampire figure, the fat-bat-demon and the leaves with the same pen I'd used to ink the outline and used a Bright Orange flex marker to lift the background, adding some spirals. FInally I added highlights on the ivy and also on the figure's eyes with a white gel pen, unsure which direction the dots would make her look. A Warm Grey No5 Copic gave some shading to both figure and bat. And then I turned the artwork the right way up.



Instantly I could see that the figure's head was too big for her body - something I'd have remedied if I hadn't been judging my drawing upside-down. The body itself is a little shapeless. I'm satisfied with the position of her arms but the fingers are wrong. Highlights in her eyes had given her a wistful look, a happy coincidence. And although the bat's tail needs altering (!) I had got the wings right. 

It's an okay piece, fine for having drawn it the way I did. While drawing the outline I found I was continuously translating how it might look the right way up, and the process took a lot longer than drawing normally and was quite tiring. Instead of working further on the piece using coloured pencils I'd had enough and stopped. 








Copyright © 2016 by Roisin O'Hagan/bloowabbit
All rights reserved. The artworks/illustrations or any portion thereof may not be reproduced or used in any manner whatsoever without the express written permission of the artist except for specific permission granted with a free downloadable.