Showing posts with label line drawing. Show all posts
Showing posts with label line drawing. Show all posts

Wednesday, 6 September 2017

Thirty Drawings Pt 2


Part 2 - the remainder of 30 drawings from a 1978 Summer Project challenge I reset myself. 

10 drawings - Wherever you are (3 remaining to complete)
  • How you spend your time 
  • How you use your time 
Because I play online Solitaire I wanted to include the element of chance. I wrote a series of words on pieces of paper and then drew out the following...Themes: Future, Comic. Colours: Blues, Earths, Skies. Tools: Glue, Tracing Paper (Vellum). Paper: Bristol Boars, Embossed Card. Materials: Ink Stamps, Alcohol Inks, Acrylics.


I embossed a piece of Bristol Board to attach as the final box and liked how the watered down acrylics tinted the surface and the depressions. 
Vellum was cut to fit the first box leaving the shape of the rocket man's head free. White ink pad was used on the edge of a curved piece of thick card and printed on top of the vellum to indicate movement.
The storyline could follow a number of different routes and for that reason I left the page unlettered.

  • What you come across that triggers the imagination 
  • What you pick up/find that you can use at a later date 
Picked some ivy vines from the garden and found some butcher's cord from a parcel. Made 'brushes' with them and used Letraset alcohol inks. Doodles were made with a Pentel brushpen used over the top of the colours.




4 drawings, each one done on the day, about the day - Summer events/controversies (completed in pt 1)

16 drawings - Cities, Landscapes, Seascapes (10 to complete)
  • 4 distant views 
Line drawings of Cavehill from various angles and from inside the cave. Cavehill is most famous for looking like a sleeping giant from the Antrim Road below.



  • 4 unusual views (2 to complete)
Two more drawings of my street through the vintage coloured glass that's in the hall door. The red is a postal van driving past. Different panes gave different degrees of distortion. Would like to draw more distorted views - perhaps carry some portable glass panes to photograph through. 

2 more street views through vintage glass

  • 4 imaginary views of the same thing 
I chose the 4 Cavehill views to base the imaginary drawings on. I thought of the past and of the future and of also of myth. 



And a notebook/sketchbook, some part of which will form the basis of a future project (ongoing)


water soluble wax crayons - Cavehill views

white acrylic base, water soluble coloured pencils,
coloured pencils on top and black Pentel brushpen

black ink line drawings - 
Tollymore and Gortin Glens

5 drawings I chose from the 30 completed:






I liked using other paper/card on the comic page - without completing the 'chance' element I wouldn't have previously considered this. 
Drawing through vintage tinted glass was strangely chaotic but I'd like to have a few portable pieces of glass to work on other scenes. 
Using simple black ink on white paper was refreshing after many contrived drawings. 

I'm glad I completed the challenge - it helped kickstart the end of a block that was worrying me. Some of the pieces I didn't like at all but others I did were the result of my having to look differently at my life and surroundings.



Thirty Drawings Pt 1 




Copyright © 2016 by Roisin O'Hagan/bloowabbit


All rights reserved. The artworks/illustrations or any portion thereof may not be reproduced or used in any manner whatsoever without the express written permission of the artist except for specific permission granted with a free downloadable.

Wednesday, 6 July 2016

Drawing using mirror reflection


I had been reading about people who can write/draw with both hands while each hand writing/drawing results in a mirror image of the other. And I reckon most people know about Leonardo da Vinci writing freehand in a mirrorscript. I began wondering what kind of an image I'd get if I drew using a mirror and only looking at the mirror whilst drawing. 


It was easier to draw from the reflection without visual distraction if I held a piece of card over my right hand. Any mark I made on the paper was the opposite of how it looked in the mirror. Although I was looking at the reflected drawing the correct way up, in reality I was drawing it upside down. 


Drawing a curved or straight line from upper left to lower right was the most difficult. It was easier to shade an area and then erase until a fine line remained. 



The shape of the face appeared very distorted after inking, the mouth oversized and off centre. Trying to turn a very rough chin line into shading resulted in it looking almost like beard or sideburns. There was no movement to the hairlines, drawing them curved took a lot of concentration.


The image on the left is the actual drawing, created upside down, while the image on the right is what I saw in the mirror the correct way up. I used a mix of copic, flex, promarker and chafford markers, finding the flexible brush ends the easiest to manoeuver. 

The challenge was more difficult, took much more concentration and the result was more inaccurate than I'd thought it would be. As I looked into the reflected image in the mirror I found I was attempting to draw a line but that my usual thought process combined with mirror resulted in a line going an entirely different way. 

Want to try this again sometime to see if practice would improve my translation of thought to movement.




Copyright © 2016 by Roisin O'Hagan/bloowabbit
All rights reserved. The artworks/illustrations or any portion thereof may not be reproduced or used in any manner whatsoever without the express written permission of the artist except for specific permission granted with a free downloadable.